《从意识洪流到艺术灵动 福克纳的斯诺普斯三部曲研究》基于语料库语言学的理论和实践，综合运用叙述学、文体学和心理学的相关理论来研究福克纳的作品，探索建立文学与交叉学科接口的研究模式与操作范例。并且借鉴了国内外语料库研究的成果，尤其是语言学和翻译学的成功案例。

前言
Chapter I Introduction
1．1 A Critical Review of the Snopes Trilogy
1．2 A Theoretical Overview of Deconstruction
1．3 The Popic and Task of the Dissertation

Chapter II The Hamlet：Signification in Motion
2．1 Signification in Motion： Saussure Deconstructed
2．2 Intrasemiotic Motion： Diff~rance in The Hamlet
2．3 Intersemiotic Motion： Supplement in The Hamlet
2．4 Transsemiotic Motion： Rhetoricity in The Hamlet

Chapter III The Town ： Text in Dissemination
3．1 Dissemination and Text
3．2 Intertextual Dissemination： The Town and its Yoknapatawpha sisters
3．3 Intratextual Dissemination in The Town
3．4 Extratextual Dissemination： The Town and Its Allusions

Chapter IV The Mansion ： Existence After Subversion
4．1 Existence in a Subverted World
4．2 Mink's Subversion of " the Old Moster" and"them-they-it"
4．3 Linda's Subversion of Her Generalissimos
4．4 Flem's Subversion of His Own Existence

Chapter V Conclusion
Bibliography
Acknowledgements
Appendix I The Family Genealogy of the Snopeses
Appendix II Faulkner Research in China： Retrospects and Prospects
Appendix III The Sound and the Fury： Three Selves and Four Orders
Appendix IV Structural Aesthetics of the Stream-of-Consciousness
Fiction： A Case Study on "The Mark on the Wall"
Appendix V A Corpus-Based Research on Faulkner's Works