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盖里在悉尼
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图书来源: 浙江图书馆(由图书馆配书)
  • 配送范围:
    全国(除港澳台地区)
  • ISBN:
    9787549573790
  • 作      者:
    (澳)丽萨·纳尔,斯图尔特·克莱格编著
  • 出 版 社 :
    广西师范大学出版社
  • 出版日期:
    2016
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编辑推荐
  想了解盖里大师的著名作品——周泽荣博士大楼吗?想了解盖里大师的创作过程吗?通过阅读本书,您能看到在周泽荣博士大楼的建造过程中,盖里大师是如何体验建筑的城市环境;如何进行委托谈判与流程沟通;如何思考建筑的设计与施工。如果建筑会说话,它就会告诉你,盖里大师的作品和创作流程都是业界的传奇。
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作者简介
  利萨·纳尔,是澳大利亚悉尼科技大学博士后研究员,曾经创作过专题作品《格伦·马库特,建筑师》,专攻桥梁设计和组织原理。

  斯图尔特·克莱格,是悉尼科技大学的管理学教授,曾出版过很多书籍与论文,对空间和施工环境非常有兴趣。
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内容介绍
  弗兰克·盖里,是同时代最有影响力的建筑师之一,因很多地标性建筑而闻名世界。他的经典作品包括捷克布拉格的跳舞大楼(1996),西班牙的毕尔巴鄂古根汉姆博物馆(1997),洛杉矶的华特迪士尼音乐厅(2003)和普林斯顿大学的皮特·B.路易斯图书馆(2008年)等。本书对悉尼科技大学的周泽荣博士大楼的整个施工流程提供了新颖的分析,对建筑的城市环境、流程中的谈判、工作的委任,以及建筑的设计与施工提供了深刻的见解意见。
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精彩书摘
  书摘
  变化的商学院
  A changing business school
  Following the demolition of the Dairy Farmers Co-operative Milk Company’s warehouse in 2010, until the beginning of preliminary excavation in early 2012, the site of the Dr Chau Chak Wing Building was used as an open-air parking lot. In those days the place looked more or less like a void surrounded by other, yet-to-change, rusty and muddy spaces. In early 2010 the new Goods Line pedestrian link didn’t exist; most of the new UTS facilities were still on paper and Frank Gehry’s first sketch of the Dr Chau Chak Wing Building was still to be drawn. How, then, have we moved from that situation to the one we can experience today? How, in other words, did change take place?
  Building a new facility is neither a matter only of designing it (see Concept, p.81) nor is it only a matter of complex engineering calculus and complex, demanding and skilled work (see Construction, p.121). Before design, bricks, joints, concrete and cables fit together there are people who meet, speak, argue … and dream of possible futures. The building may not even be there in their thoughts: it materialises only at a certain point, as an intersection of needs, wishes and actions that, like threads, become woven into a fabric. To grasp how this actually occurs we need to confront the process of change. Rather than understanding change in its most canonical form — as matter of stages, a passage from A (the parking lot) to B (the building) — one needs to focus on the processual movements between A and B. In other words it is necessary to move from a macro perspective — which tells us the obvious: we don’t have a parking lot anymore — to a micro one:
  [F]rom a distance (the macro level of analysis), when the observer examines the flow of events that constitute organising, they see what looks like repetitive action, routine, and inertia dotted with occasional episodes of revolutionary change. But a view from closer in (the micro level of analysis) suggests ongoing adaptation and adjustment.1
  Looking closely at these micro-movements it is possible to unravel the heterogeneous set of material and immaterial elements that gradually become woven together, held together by the discursive, visionary and emotional bonds they share (and by the power and interests guiding them). Despite what the commercial management literature says, the process is not necessarily a harmonious one and cannot be planned in the form of a step-by-step guide. As the story of the Dr Chau Chak Wing Building commission shows, processes of change are characterised not only by careful planning and hard work but also by their alignment to other changes (both contextual and broader) and serendipitous encounters.2
  We have already addressed the first contextual change — initiated both by the UTS City Campus Master Plan and by other developments affecting Ultimo (see Context, p.17). The second broader change influencing the development of the Dr Chau Chak Wing Building related to the ways in which business education has gradually been subject to redefinition, rethinking, indeed, even contestation, in recent years. Such redesign has been made in an attempt to address the challenges of an increasing globalising world, as well as in response to the perception by many commentators that business schools, particularly in their finance and economics disciplines, were a contributory factor inducing the irrational exuberance of financialisation that bankrupted major economies globally. Leading business schools are thus redesigning their curricula, introducing a new emphasis on interdisciplinary approaches, experiential learning, and creativity, which are perceived, in part, as a panacea for the above issues.3 The new emphasis parallels a renewed attention being paid to those spaces in which learning takes place, typified by the increased number of business schools designed by internationally renowned architects.4 The changes undertaken by the UTS Business School can be seen as largely aligning with this framework. The alignment was initiated with the appointment of a new dean for the UTS Business School in 2008, Professor Roy Green. Green had a clear idea of how to pursue UTS’ main goal (to become a ‘world leading university of technology’), in part informed by what other global business schools were doing at the time:
  ……
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目录
9  项目细节
11 前言       罗丝·米本尔
悉尼科技大学校长, 2002年—2014年
17 环境       体验城市
米歇尔·兰乔内
33 委托       变化的商学院
米歇尔·兰乔内
43 图纸
65 对话       弗兰克·O. 盖里与利萨·纳尔的对话
克雷格·韦伯与利萨·纳尔的对话
布拉德·温克尔约翰与利萨·纳尔的对话
89 概念       透过模型看建筑
利萨·纳尔与斯图尔特·克莱格
107 模型
135 施工      这种技术创新,但和我们通常所了解的不同
佩里·福赛斯
155 竣工
253 行业的传奇  如果建筑能说话
利萨·纳尔与玛丽安·斯唐·瓦兰
273 版权        项目团队
盖里建筑师事务所
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