《浙江大学艺术与考古研究》是浙江大学艺术与考古研究中心自2014年起连续编辑的以艺术史与考古研究为主要内容的出版物，载艺术史、考古与物质文化研究等论文，旨在促进艺术史学科范式的更新。由Robert Bagley（贝格利）、白谦慎、Lothar von Falkenhausen（罗泰）、谢明良、李零、李玉珉、缪哲、石守谦、曾布川宽、Peter C. Sturman（石慢）、Alain Thote（杜德兰）十一人组成编辑委员会。
第一辑收录6篇论文：来国龙《马王堆<太一祝图考>》；李零《“国际动物”：中国艺术中的狮虎形象》；Peter C. Sturman“The Poetic Ideas Scroll Attributed to Mi Youren and Sima Huai”；Shih-shan Susan Huang“Reassessing Printed Buddhist Frontispieces from Xi Xia”；施静菲《景德镇元青花起源之本地因素考察》；白谦慎《晚清官员日常生活中的书法》。4篇书评：Lothar von Falkenhausen评Li Feng, Bureaucracy and the State in Early China: Governing the Western Zhou；Lothar von Falkenhausen评Kakinuma Yōhei 柿沼陽平, Chūgoku kodai kahei keizaishi kenkyū 中國古代貨幣經濟史研究；缪哲评Anthony J. Barbieri-Low, Artisans in Early Imperial China 與 Lillian Lan-ying Tseng, Picturing Heaven in Early China；谢世维评Shih-shan Susan Huang, Picturing the True Form: Daoist Visual Culture in Traditional China。
第二辑收录5篇论文：韩巍《由新出青铜器再论“恭王长年说”——兼论西周中期后段青铜器的变化》；Robert Bagley“Ancient Chinese Bells and the Origin of the Chromatic Scale”；缪哲《周公辅成王》；Celia Carrington Riely“Dong Qichang’s Seals: A More Rigorous Approach to the Dating of Undated Works”；薛龙春：《分歧与动力——论王铎与董其昌》。3篇书评：Zhang Hanmo评Wang Haicheng, Writing and the Ancient State: Early China in Comparative Perspective；李玉珉评Wei-cheng Lin, Building a Sacred Mountain: The Buddhist Architecture of China’s Mount Wutai；Jeffrey Moser评Peter N. Miller and François Louis, eds. Antiquarianism and Intellectual Life in Europe and China, 1500–1800 and Alain Schnapp, ed., with Lothar von Falkenhausen, Peter N. Miller, and Tim Murray, World Antiquarianism: Comparative Perspectives。
第三辑收录4篇论文：郭津嵩《出土简牍与秦汉历法复原：学术史的检讨》；缪哲《从灵光殿到武梁祠——汉代帝国艺术的重建》；许雅惠《宋代士大夫的金石收藏与礼仪实践——以蓝田吕氏家族为例》；刘未《宋代皇陵布局与五音姓利说》。5篇书评：赖毓芝评Kristina Kleutghen, Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces；E. J. W. Barber评Zhao Feng, Early Chinese Textiles from the Lloyd Cotsen Collection；Mu-chou Poo评Lai Guolong, Excavating the Afterlife: The Archaeology of Early Chinese Religion；Lothar von Falkenhausen评Esther Jacobson-Tepfer, The Hunter, the Stag, and the Mother of Animals: Image, Monument, and Landscape in Ancient North Asia；Magnus Fiskesjö评Alice Yao, The Ancient Highlands of Southwest China: From the Bronze Age to the Han Empire与Erica Fox Brindley, Ancient China and the Yue: Perceptions and Identities on the Southern Frontier, c. 400 BCE–50 CE。
特辑一收录12篇论文：黄士珊《版画与绘画的互动——从宋元佛教版画所见之宋画元素谈起》；石守谦《1200 年前后的中国北方山水画——兼论其与金代士人文化之互动》；陈韵如《同悟真如：刘松年画<罗汉>三轴及其画史意义》；余辉《<重屏会棋图>背后的政治博弈——兼析其艺术特性》；黄小峰《繁花、婴戏与骷髅：寻觅宋画中的端午扇》；Richard M. Barnhart《Zhang Yinchun (1869—1922) and the Authentication of Song Paintings for the International Market, ca. 1915》；Julia K. Murray《Song Paintings of Confucius》；李慧漱《郭熙与小景》；板仓圣哲《梁楷<出山释迦图>的诸问题》；Peter C. Sturman《The Subject in Wen Tong’s Ink Bamboo》；Jonathan Hay《Collaborative Painting at the Early Song Directorate of Construction》；刘和平《挽舟人色：徐铉、郭忠恕、王禹偁、苏轼流放视角下的<江行初雪>与<雪霁江行>》
（一）郭津嵩《出土简牍与秦汉历法复原：学术史的检讨》
（二）缪哲《从灵光殿到武梁祠——汉代帝国艺术的重建》
（三）许雅惠《宋代士大夫的金石收藏与礼仪实践——以蓝田吕氏家族为例》
（四）刘未《宋代皇陵布局与五音姓利说》
（五）赖毓芝评Kristina Kleutghen, Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces
（六）E. J. W. Barber评Zhao Feng, Early Chinese Textiles from the Lloyd Cotsen Collection
（七）Mu-chou Poo评Lai Guolong, Excavating the Afterlife: The Archaeology of Early Chinese Religion
（八）Lothar von Falkenhausen评Esther Jacobson-Tepfer, The Hunter, the Stag, and the Mother of Animals: Image, Monument, and Landscape in Ancient North Asia
（九）Magnus Fiskesjö评Alice Yao, The Ancient Highlands of Southwest China: From the Bronze Age to the Han Empire与Erica Fox Brindley, Ancient China and the Yue: Perceptions and Identities on the Southern Frontier, c. 400 BCE–50 CE
